UNPOSTED is a pure exhibition format. In response to the increasingly digital nature of photography, I decided to bring out works from my archive that I had never posted online.

The exhibition asks a simple question: we post our best photographs — but what happens to the ones that are almost the best?

UNPOSTED brings together primarily analogue works created throughout the last five years of my work with automotive photography. Rather than presenting only a polished selection of finished images, the exhibition explores different stages, formats and ways of experiencing the work.

The exhibition was created in a neighbouring, friendly café that has become a familiar place to me. Instead of treating the space as a traditional gallery, I adapted the exhibition specifically to its existing character, architecture and atmosphere, allowing the photographs to become part of the space rather than simply occupying it.

The exhibition is divided into four zones:

FINE ART presents the current level I am striving towards — photographs conceived and presented as physical works rather than simply images for a screen.

PROCESS reveals the thoughts behind the photographs, featuring my notes and sketches made during the creative process.

POLAROID is a tribute to the format itself — intimate, imperfect and physical, reminding us that photography can exist as an object rather than just a digital file.

PANORAMAS challenge the formats favoured by the internet. In print, photographs can exist in a different scale and proportion, often revealing more than the familiar vertical 4:5 frame designed for a screen.

UNPOSTED is ultimately about everything that happens outside the feed — the photographs that remained unseen, the process behind them, and the difference between experiencing an image on a screen and experiencing it as a physical object.